Monday, April 4, 2011

In a Trick of the Light

I have never seen anyone die. But as I heard the day after it happened, a young girl saw and held the body of a man, full of holes, as he bled thick and black onto the pavement. This road ran alongside Freret Street, which opens at the mouth of Carrolton Avenue with thick, wooden trees and thick, wooden houses, trickling down into a thin stream of stacked clubs and shady bars, and people cold and harsh as gunmetal. Moving away from the walk, up the stairs and into the double doors was Friar Tuck’s bar and grill, inaptly named due to its lack of grill and Friar-dom. This road cuts through my backyard, where I used to take many drunken walks back to sleep or sober walks back to waking. It was the place to go; no one really liked being there, at least no one I know (myself included), and the majority of business came with plans to forget their evening in a clear plastic cup filled with alcohol that no other place would serve them. While I slept, the scene was set: the victim and the one who pulled the trigger; all in their places. If the days could realign, I would have been there, I could have seen.

I wasn’t sure what to make of all the stories being told the next day. Snippets of conversation told me that someone died last night outside of Tuck’s—he went to school with me and he was only 19. The news reports all said similar things: “Fatal shooting outside troubled Freret Street bar”; “Shooting forces Tuck’s closure”; “A Deadly Night”; never really the full story, though, just summaries of what I could read from Facebook statuses and hear from people’s excitement over something to mourn. As always, people blamed the demographics or the shooter’s drug addiction (allegedly, this was the case, as one news story explained) but this brought no avail. The kid was still dead and we all wanted to know why. One quote read, “He was a good kid, just in the wrong place at the wrong time.” As if he had walked in front of the bullet’s path as it harmlessly headed for embedment into a light post. No, people were convinced something else was at work, something, someone had to be blamed because people can’t just die unless they have a damn good statement to make about it.

I wondered where you were that night. I wondered if you pulled that trigger and what you were trying to say.

I was not a Tuck’s frequent, but I spent time there. I made friends with my floor-mates there, met future roommates there; my drunken sexuality came into full bloom there while shitty rap music came in through the speakers. Still, as dingy and gross as every aspect of that bar was, it became a character in itself, almost a friend—the one you keep around to exploit but secretly like regardless of everything, the one all your friends love to hate but without whom they would be lost. I couldn’t shake myself from it.

This is where I ran into you.

One night, it was a Wednesday; I was at a table in the corner, next to the beer pong tables. I was offered drink after drink and before I knew it the cups were drained and only a pale blue stain remained at the bottom. Empty cups crowded the table like an avid audience. The familiar numbness descended into my joints, my legs became loose and so did my mouth, and faces blurred in front of me, Yeah, hi, nice to meet you and We go to school together, don’t we? and empty cups kept crowding, watching the show. People passed and hands pulled mine and before I knew it I was kissing one of these faces, an unfamiliar one, warm and wet with alcohol, and we stopped and giggled and someone must have shifted because then there was another mouth I met, and another, and another. One of these mouths was another man. He was talkative and skinny but I liked him, almost instantly, the vodka burning up all the unnecessary conversation between us and letting our hands do the talking. Simple, base attraction; both of us basking in the affection of someone we don’t have to worry about loving.

You made your entrance. I was buried in the crook of his neck when you walked up and told us to separate. I don’t know if you touched me, but I remember my chest burning as if you’d shoved me; as if my ribs anticipated violence by contracting. Like it was obvious, like it was a rule, you told us we should stop. “I just don’t like faggots” is the phrase you used. This is something I know I heard because I remember the sensation of my spine snapping me straight into sobriety. When I picture you turning away from me, I can hear you say it. The alcohol allowed me to keep that snippet of memory—a punishment, or a warning.

Three weeks later, that boy was killed. In a matter of days, they found his killer. I don’t think he was hiding. The media loaded their guns and took aim. They called it gang violence, they made references to drugs. They blamed the area, this “poor part of town,” all firing wildly at what might be the reason why.

One article spoke of two men who heard the gunfire. They ran to get blankets for the victim to help stop his bleeding, and were too late.

The articles are as worthless as those blankets. The dead remain dead and the living still question why. We don’t get answers.

My mother once warned me that people still hate, but I did not understand. As my sexuality flourished and matured I assumed everyone else’s did, too. In the sticky heat of that summer after my senior year I knew more boys than I care to remember because I was seventeen and immortal, and at this age, I have no reason to say no to anything. In the secluded world I made for myself, my parents had no idea my identity was quivering in the back seat of my car and the world didn’t give two shits who I was kissing because they had bigger matters to attend to. I was wrong. My parents could smell sex on my clothes and people cared more than I could understand. I didn’t understand this world’s ability to kill.

Well, I sure do understand now, and I thank you for clearing that up. That night, while some drunken frat star rubbed his hard-on into the tight-jeaned crotch of some random woman, I was told to stop kissing another man because as you told me, “I just don’t like faggots.” While people fornicated on pool tables and girls pushed their full breasts up against each other like some sort of lewd circus, I was wrenched away from a warm mouth and tongue and told that I didn’t belong. Yes, thank you, now I understand perfectly. I never realized my sexuality was not supposed to exist. Under dim bar bulbs reflecting off pools of spilled beer and piss there are no queers. With sports games and beer pong humming in the tabaccoed air there are no fags here, you can get drunk with no shame and do whatever you want because you are a real man, not my shameful sham of skin and bone that doesn’t act like you do.

In the maw of night, a man fell onto asphalt as gentle and as shaken as a crumpled leaf, and in this road someone watched him die. That could have been me. In retrospect, maybe it should have. “He was a good kid, just in the wrong place at the wrong time.” The night I kissed that boy full on the lips was the night I unknowingly danced in gunfire. If the hard, shiny metals that make a gun would have assembled and solidified in your hands, you could have pulled the trigger. These two separate nights could have been one. Someone was killed on the cracked brick sidewalk in front of that bar, and it easily could have been me, shamelessly flaunting myself to people like you, people that burn with inherent hatred that I only try to understand. I do not know why that boy was killed, and perhaps he didn’t either. Both of us were in that bar, unaware of our power to die. The lines between our two stories blur so easily. In a trick of the light within my mind’s eye, I watch myself bleed onto black pavement.


That boy is still dead for reasons never clearly explained; no sudden revelation of the killer’s intention has surfaced and revived his victim. Tuck’s has closed down. People avoid that neighborhood. I don’t raise my voice when asked to speak of myself. We all carefully watch where we stand and who we are.

But not you. You don’t care because this will never happen to you. You are doing everything right. Not you, not you. But in my mind, you are a murderer. Not you, not you, not you, not you, never you.

16 comments:

  1. This is for class on Wednesday. Enjoy!

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  2. This is the first thing I'm reading on my new kindle. Sorry. I just had to say it.

    This was stunning. Your voice, your imagery blended together well. The way you tied that night at Tuck's in with the shooting was clever, and unexpected. You also had a solid command of past and present, I was never confused as to what was and what is. You switched between the two in a way that aided your story, not hindered it. That was really well done. I admire the way you're able to tell the story, the emotion is tangible, and you gave language to an idea that a lot of people struggle with conveying well. I never felt like it got cliche or trite, it was just really honest.

    "In the maw of night, a man fell onto asphalt as gentle and as shaken as a crumpled leaf," is probably my favorite line. But it's also possibly a misplaced modifier? If you mean the man is the shaken leaf, then you should put that before the asphalt, otherwise it sounds like the asphalt is the shaken leaf, which isn't what I thought you were going for.

    Overall, this was beautiful. Fantastic job.

    <3 Liv

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  3. I definitely agree with Liv; this is a great piece. Your idea to tie the two nights together is very clever. I like how on some lines your writing seemed very formal, but on others I could hear your voice, which gave it a nice personal touch that was noticeable. However, I was a tad bit taken back by the switches..only for a moment (but that could just be me). The language is beautifully written! I am still left wondering more about who was shot but maybe you're going for the vagueness to show how little everyone knows?

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  4. Thank you so much, guys!

    Liv, I just went and changed that line to "In the maw of night, onto unwelcoming asphalt, that boy fell as gentle and as shaken as a crumpled leaf."
    It reads much better this way :)

    Danielle, I want the reason for that boy's death to be a "dot dot dot" at the end of the story. I really only know what I read in the papers; I just know he was killed, not who he was or why. And thank you!

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  5. Great metaphors and imagery! I felt like the first four paragraphs weren't as strong as the rest of the piece, but I'm still not sure why. I'll think about it and hopefully come up with a reason.

    Also, when you said, "Three weeks later, that boy was killed. In a matter of days, they found his killer." I wasn't really sure if "that boy" was the one you were making out with or the homophobic one. That could probably be clearer, as it was a bit confusing until later in the story.

    My favorite line was, "The familiar numbness descended into my joints, my legs became loose and so did my mouth, and faces blurred in front of me, Yeah, hi, nice to meet you and We go to school together, don’t we? and empty cups kept crowding, watching the show."

    I also loved the way you tied the two stories together. I've always found that the death of acquaintances in one's larger social circle really makes you stop and think of your own mortality more than almost anything else. I always thought that was just me, but apparently not. I really connected with the story.

    I am having a hard time with the ending because it's pretty much exactly the same as one of the last stories we read in our text. But, I think it probably works well here too, I'm just distracted by it given we just read it like last week.

    Who knew anyone could write anything so strong and meaningful set in Tuck's? Haha Great job, Austin!

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  6. Austin this was spectacular! I must say I haven't really read much of anything that had to deal with sexuality, but this was awesome. The imagery and diction worked well. I do agree with Tori about the ending being from one of the pieces we read in the book, however, you did change the last one to make it your own, great job.:)

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  7. I absolutely loved this piece. Your voice shined through and I never lost it. I love how you tied the two stories together. The metaphors were beautiful and your imagery was amazing. I felt like I was standing there in Tucks with you! Everything you say in this piece has meaning and works towards the idea of the story.

    Like Tori, I also noticed how you said "three weeks later that boy was killed" and I wasn't too sure of which boy it was.

    Other than that it is absolutely stunning!

    That night, while some drunken frat star rubbed his hard-on into the tight-jeaned crotch of some random woman, I was told to stop kissing another man because as you told me, “I just don’t like faggots.” LOVED THAT LINE

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  8. I really liked this piece....and for some reason I could hear your voice as though you were actually reading it, and that made me not want to stop reading.
    Unlike everyone else I knew nothing of a shooting or of that place even closing down, despite the fact that I pass it everday so I learned something. Also I like the fact that you make the bar the setting, and make your story revolve around that story and that place.
    Your word choice in this piece is very srtong....blew me away at the words that you chose and the way that you arranged them....very beautiful!
    Really good piece!

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  9. Your voice came through clearly on this piece Austin. It's very impressive. I didn't know much about the shooting at Tucks and this puts it a really personal spin on it.
    My favorite line is "The night I kissed that boy full on the lips was the night I unknowingly danced in gunfire." It's vivid and poetic.
    Also "The articles are as worthless as those blankets. The dead remain dead and the living still question why. We don't get answers." They're hard but true lines. The word choice was excellent. It's a very strong piece.

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  10. First, I'd like to put up some quotes from here that I REALLY enjoyed:

    hear from people’s excitement over something to mourn

    The media loaded their guns and took aim.

    I love this. I started reading it and I automatically thought that you were going to write about your reaction to the Tuck's shooting. Then you completely changed gears and connected it to yourself, then to the basic question of why do people die and I felt that connection, empathized. You surprised me. I think that's the mark of good nonfiction--when you can shock me with the ordinary, with reality. You were able to share yourself as you shared the story of someone else, and it never felt overbearing or unbalanced. Your language is descriptive and poetic. Your voice is clear and very you.

    I also love the characterization of Tuck's. Thank you so much for that. :) And gorgeous, gorgeous job.

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  11. I think the best thing was that this was a story most of us knew about that you made universal. Tori mentioned how the death of a random aquaintance can make you think about death more than anything else, and for me personally that has been true in my life but for whatever reason not so much with this shooting, until now.

    The second person was shockingly effective. I'm not usually a fan of it, so I was wary at first, but it actually made the story by the end.

    Also: "In the secluded world I made for myself, my parents had no idea my identity was quivering in the back seat of my car and the world didn’t give two shits who I was kissing because they had bigger matters to attend to. I was wrong." I really like that point you made and have often wondered at it myself.

    Great job at handling more than one big theme clearly and concisely.

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  12. In the very first paragraph I think you use the word "thick" a little too repetitively.

    I really like the part about "people's excitement over something to mourn."

    You're description of Tucks as a friend that is a guilty pleasure is great because it's the only way appropriate to describe such a place.

    & I Love this: "while some drunken frat star rubbed his hard-on into the tight-jeaned crotch."

    It's really nice how you combined these two stories; one really pertinent to your personal life and also one very relevant to everyone else around. The only thing I didn't like is that I'm just a little bit confused on who it was that actually died..
    Also, I agree with the others about your ending being the same as a story, or maybe poem, in our text. That took a little bit away for me.

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  13. Youve got such a distinct voice Austin. You can really tell that poetry is where your heart lies. You make such beautiful choices with assonance and alliteration. There's one paragraph in particular that I'll show you in class. I really loved your description of Tucks and the oh so true juxtaposition of "acceptable" porno public sexuality with you're "offensive" PDA. As if theres anything that goes on in Tucks that doesnt make someone uncomfortable.
    I also loved your gradual development of the "you" in the story. It was so ambiguous at the beginning and evolved into such a great tool.
    One note: the shooting victim didn't go to school with us.
    Also, maybe you can slip a sentence in that ties the common bond between the two nights (hatred) in with a little more strenght. Make it a little clearer for me. I got it, but i felt i had to work a little hard to get there.

    I love it, sir.

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  14. Ah, super intense. Grea moments of poetry in a piece of fiction.
    "You" creates a very clear transition in what could otherwise be vague. Lots o grea moments but you probably realize they're great so I won't write them. My only concern is that at times this piece barely rides the edge of getting preachy in the trope "don't hate because I'm gay." really try to communicate that stuff in a fresh way-- or cut it and just amplify the motif of it. We already understand what your trying to communicate about intolerance without u saying it, so saying it makes it heavy handed. Incredible piece love, I read it to two of my friends over coffee and they're flipping out over it.

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  15. I like how you brought up Feret. I can picture the whole story in my mind. Good job

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  16. This was an awesome piece of creative non-fiction. I could really see and smell the piss and beer puddles on the floor of tuck's. At some points you piece seemed like prose poetry, and it was awesome. I enjoyed the social commentary that you put forth. Your voice was very strong, and it carried into your overall tone. It was a really strong piece.
    Also on another note, I'm pretty sure that we talked at tuck's that night. It's weird to have been there and not even really know the story.
    Great Job!

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