Italy invaded 44 Fenwood Grove Road when I was in eighth grade. My grandmother, Nona, lived with us for nearly five years. She looked like a little old lady, but she wasn’t. Nona was a manipulative bitch.
She followed us around—stalking is probably a better word—and she didn’t look, she stared. When I wanted to leave the house, I had to plan around a half hour of questions. “Where are you going?” “Who will be there?” “Will her parents be home?” “When will you be back?” and the all-important: “Will you be home for dinner?” As a babysitter, those were normal questions—but I was well past the age of babysitting. I was thirteen at the time of the invasion, but the questions continued well past my seventeenth birthday.
Nona threw tantrums and stomped her feet when she didn’t get her way. Rarely did she yell, she preferred to use words like “No!” and “Mean!” Fighting with her was fighting with a six year old. “Don’t call me stupid!” she’d snap, and bang her wineglass on the table. “Don’t treat me like a child!” She wasn’t dumb; she was smart, cunning even. She played dumb to get her way.
Although she feigned interest in a lot of things, Nona cared about acting. Every night, we heard the same stories about acting. Nona’s delivery never changed. “When I worked at Stoffer’s, I met the man himself. He told me I had a face for the silver screen,” she’d say. Or, “My brother painted that picture of the girl playing baseball, that’s me, even then I was noticeable! He painted it from his memory!”
She didn’t tell the stories to tell stories; she told the stories to hear them out loud. I used to enjoy her tales, but when she told them to keep me from leaving the room, they became unbearable.
Our family lived in a two-story house, but I was never alone. No matter what room I was in, Nona was there. She asked questions. She ordered me to change the channel. She demanded we all be home for dinner every night, which would be served promptly at six. Despite the fact that she didn’t do anything to help, she wanted to be in charge. We’d sit down for dinner with Dad at one end of the table, and Nona at the other. She wouldn’t say a single word. She expected us to compliment her on the cooking she didn’t do, and then she watched us talk, eyes and ears sharp. Dinner wasn’t a bonding experience; it was a situation report.
I got argumentative for the sake of being argumentative. “But why don’t you like Rachel Ray?” I demanded in my best “offended” teenager voice. I didn’t care about Rachel Ray, but sometimes it felt good to pick fights. I tried to control my temper. I’d remind myself “she’s old; she doesn’t know better.”
We both knew, though, that she did know better. Nona had always been nosey and overbearing. She was always manipulative. When I came home after school, before she lived with us, she called five minutes after I was supposed to walk in the door. If the bus was late, or I went to the bathroom and missed her call, she would drive over. She called twelve times a day before we moved in. I thought the stalking would tone down once she lived with us, but I was mistaken.
I knew she was wrong, and that it was ok to be angry, but I was guilty all the time. I was her favorite. I still didn’t like her. She delighted in my stories and my “wit.” When I met nurses or doctors, they always looked at me and smiled. They knew all about me. She bragged about me.
I bitched about her.
Living with Nona didn’t get easier. She stomped her feet less, but dragged them more. She lost interest in everything. She was more depressed and more argumentative. Nona didn’t want to die because she was afraid, but she was over the whole “living” thing too. She’d sit in “her chair” for hours and stare at a blank TV. She was the living dead.
Aside from driving us all crazy, having Nona around put a lot of strain on the rest of the family’s relationship. My mom got angry, my dad drank more, my brother never left his room, and I was barely home. I found excuses not to have friends over—when I did, Nona would lie in her room and listen to our conversations. Mom, Dad, Robert, and I were uncomfortable. We itched for an excuse for something else to think about.
Nona, however, made sure that she was always on our minds. When I complained to friends, they didn’t understand. She seemed so cute and feeble to them. I’m sure they sometimes thought I was a bitch. I started to question the way I felt about Nona. Maybe she was innocent after all.
Gradually, she became weaker and so did we. Mom couldn’t be home all the time, she worked two jobs, and dad had shattered his ankle at work and was laid up for several months. I was only seventeen, barely capable of taking care of myself, let alone my dying (bitchy) grandmother.
Nona went to the hospital first. Then the nursing home. I visited when mom made me, but not often. Then she died.
My friends and I were sleeping in the living room that night, curled up on the floor and in blankets. The phone rang at three in the morning, and I knew. I answered, and told my parents the nursing home was calling. I stayed on the line. I sat on the stairs and listened to a sympathetic woman tell my dad that his mother died. I felt relief. Then I went back downstairs and finished the movie. The first time I told someone Nona had died was almost three weeks later.
“…you stole your Nona’s jewelry?” my friend asked me. I told her that Nona didn’t need it. My friend asked me why.
“She died.”
And so began the “I’m so sorry” and “when?” and “do you need anything?” But all I could think was “why are you sorry?” and “a while ago” and “no, not really.” Nona had been a burden. I was relieved, so I didn’t know how to respond to the people who thought I should be grieving.
My relationship with Nona hadn’t been all cookies and sunshine. She never baked, she only used syrup from the bottle, and the pancakes I remember her making me in my youth were Bisquick. She was also the most passive-aggressive person I’ve ever met.
But she was mine. My Nona. Her name was Rose-Marie, but not really. She had some pretty, exotic Italian name that had been Americanized. She probably could have won Oscars, or at least Tonys, had she pursued her acting career. She used to be a Stoffer’s waitress. Once, she was on an episode of the television show Route 66. Her brother was an artist. Her father was an orphan in Italy, but he was probably the bastard child of a Lord in the village. She used to talk to herself in the kitchen when my dad was little, but she was just practicing her lines.
I’ve known all of this for six years, probably most of it for eighteen, but I never really understood how all of it became a person.
Recently, I’ve been getting ready for college. This has involved a lot of moving things around, and tearing things apart, and trying to go through my clothing. I needed more space to organize, so I began moving into her dressers. They were upstairs in the old master bedroom—her room—which I’d taken to calling “the spare room.” It sounded cool, like my house was a lot bigger.
As I was shuffling sheets (why did she keep sheets in drawers?) and sweaters from one dresser to the next to make room for my stuff, I stumbled upon jewelry. Most of it was cheap, fake, costume stuff. Some of it was kind of neat. A lot of it was colorful and I thought the bracelets were beautiful.
I wore two of those bracelets to graduation, and a pair of earrings to the after-party. For the first time in my life, I felt close to Nona.
My Nona.
For the first time in six years, several months after she died, I understood that the resentment I’d felt for her at the end of her life didn’t mean that I didn’t love her. It didn’t mean that I hated her. It simply meant that I was human, that I’d been hurting, and that she’d hurt me. That didn’t mean she didn’t love me either. She may have been a manipulative bitch whose presence confused me and destroyed the stability of my family, but she was mine. My grandmother.
When I was little, she used to read me stories. When I got older, she let me read her the ones I wrote.
So this one I wrote just for her. This is our story. It’s bumpy, and confusing. It’s filled with a lot of hurt and anger. I didn’t cry when she died, I still haven’t, and I don’t think I will. The catharsis that I needed wasn’t getting over her death. It was understanding her life—all of it. Not just the parts I was there for.
I’ve never been great with understanding history, but I’ve begun to understand ours. This is that story. The one I didn’t have a chance to tell her. The one that's taken me almost a year to write. It’s not an apology—she was a manipulative bitch, after all. It’s a compromise. No one gets everything right. Not even Nona.
Not even me.
Great job, Liv!
ReplyDeleteSo well written. The whole piece sounded so genuine and honest and I trusted the author as soon as the piece began. I think its because you took that step and called your grandma a bitch and said you didn't grieve, things that grandchildren are often scared to think, but having an immigrant-family grandmother myself, I TOTALLY understand.
I was confused by the one little passage that said you were getting ready to go to college?
And I think there's a title hidden somewhere in this piece that is far better than the one you have.
Really great job building Nona's character. She was no stereotypical grumpy grandma; she had all of these intricate personality quirks that, even though I never met her, I completely understood.
I loved it a lot!!
Emma :)
The end was my favorite part. The line "It’s not an apology—she was a manipulative bitch, after all" had me laughing aloud! I too loved that you had the guts to call your grandmother a bitch. I was afraid the story was going to turn all mushy after she died, so I'm really glad it didn't. I loved the story!
ReplyDeleteExcellent read! It was so honest. I could feel the uneasiness within the house. I think it's that emotion that any reader is able to relate. I'm sure we all have a relative who stresses us.
ReplyDeleteOh my. I definetly felt what the protagonist was feeling because I went through that! Loved it! You use of voice and description were awesome. Things seemed to flow easily so as far as I am concerned, nothing really to criticize. :)
ReplyDeleteI have to agree with what's been said. Extremely brave piece! I cringed and laughed out loud and thought of the parallel in my own life that we all seem to have. (The Rachel Ray scene was probably my favorite.)
ReplyDeleteOverall, I really enjoy your voice. It's you, of course, and the piece wouldn't be effective if it weren't a teenager's voice. The only criticism I might have is that sometimes it could feel too simplistic. It would be terrible if you got too flowery with this, but maybe more detailed description of the jewelry or something? I'm honestly not sure as I suggest that whether it would be an improvement or not, haha, so you'd have to just write it and see.
I do really like the fact that you never described Nona's appearance in detail.
I loved your piece because it is relatable. Not everyone has a grandmother that works their nerves but we all have a relative that resembles this character.
ReplyDeleteAlso I like your boldness in this piece. I think you are right because sometimes I do think my own grandmother acts like a b-word but I wouldn't call her one, so I like the fact that you said it without remorse that that's who she was.
The way you write is so eloquent and it just flows so nicely. I likes this piece! Really good!
The first small paragraph introduces the story so well! The piece is so relatable because I feel that all of us have this type of relationship with someone. I loved the use of the word bitch. It brought forth the true attitude of the piece. I know I've called my grandmother that behind her back, but I would never ever say it to her face. This was beautifully written and everything flows so well!
ReplyDeleteWell done!
The first paragraph is a very good introduction to the piece, but I wish there was a little more portrayal of the setting. The vague mention of the "Italian invasion" kind of leaves me wanting to hear a little more about it.
ReplyDeleteAs everyone else has already mentioned, there was a brave air of honesty throughout the entire piece that was very refreshing. It seems in creative non-fiction that honesty must be one of the overarching goals - to be honest with yourself. Though your readers may never know whether or not you're being completely honest, if you're honest with yourself in a writing, then the readers will most likely pick up on it, and that definitely happened here.
I'm also very glad that your mood doesn't change towards your grandmother at the end of the piece. It remains the same instead of becoming sentimental and "mushy."
Several of your details were very nice: the Rachel Ray and Bisquick references. I also loved the part about Nona's father most likely being the "bastard" of a village Lord.
Great story!
ReplyDeleteI love how right in the opening line you describe her presence as an "Italian Invasion." For a minute I thought we had another war story! But once I realized you were talking about your Grandma, it really helped to set up the rest of the piece.
It's find some alternates to "manipulative bitch," you use that phrase a lot throughout the piece and it stuck out to me. Just find some words that are more fresh--"bitch" has gone stale by the end.
I really liked how you didn't get sappy when Nona actually died... I was expecting a huge catharsis when you realized she had passed, but you surprised me with being honest about how you truly didn't grieve. Very honest; I really liked that aspect.
Also, great last few lines. "Not even Nona. / Not even me."
Powerful! Bon travaille!
This was an awesome story. I felt that your voice was extremely honest, and that it added to the story. I really liked how you were not afraid to call her a manipulative bitch. Also I really loved the line, "My relationship with Nona hadn't been all cookies and sunshine." I thought that was just a hilarious way to put that.
ReplyDeleteI have to agree with Austin, in that I liked how you didn't get all sad when she actually died. It worked against my expectations, and helped maintain the honesty of the piece.
This piece was beautifully human. I love how you showed the multi-faceted aspects of your relationship with your grandmother as well as many facets of your grandmother and yourself as individuals. I could relate to my own rocky relationship with my grandmother while reading this.
ReplyDeleteI don't have much criticism for this. But I do agree with Austin--while I hesitate to change any part of this story, because it all feeds into and relates to each other, I wonder if the phrase "manipulative bitch" is a teeny bit overused? I just Ctrl+F'ed it and found "bitch" six times, so maybe that's not a huge issue. I'll let you be the judge.
Your use of detail in here was awesome. It really gave the story a unique edge. And I like the title! Wonderful job! I'm so happy to finally read something you've written. :)
Also chirping in with this is such a human piece.
ReplyDeleteI really loved the beginning and the war feel to the story as a whole, what with the lines "Italy invaded" and "it was a situation report." Nona comes off as one of those sneaky, hard-assed COs that somehow always knows what's going on with their men, and how you were constantly trying to come out as the victor in your arguments.
I also loved how you dealt with Nona's death, not really crying/grieving, and just learned to accept it, instead trying to come to terms with Nona's life. Kudos, man. Kudos.
Brutal honesty in this piece, but in the best possible way. I love how you create Nona's character: the stalking, the arguments, the lack of cooking. It makes her believable, not everyone's ideal grandmother like how your friends believed she was. I loved the "Italy Invasion" bit since it sets the tone culturally. I like how you added how you connected with her after she died through your appreciation of her bracelets and earrings. This piece is an honest portrayal of a bumpy family relationship. Very well done Liv!
ReplyDeleteI really liked this piece and as someone above stated, I felt very safe with the narrator. I enjoyed the turn in the story. It was interesting how cold she could be to her grandmother and I could feel the aggravation. I loveddd the part when she died and the narrator just went back downstairs to finish the movie. I think it truly summed up how she just didn't have the strength to morn after all the shit she had put the narrator through. Another thing I loved was " She bragged about me. I bitched about her." Oh wait, there is more...haha I like a lot of stuff in this piece..."My relationship with Nona hadn’t been all cookies and sunshine" I think it's great how this I first thought was just figure of speech but then you incorporated the literal meaning after..about how she didnt bake. Great idea. I love how the narrator eventually started thinking back to the stories her grandmother told her, the ones she hated to hear over and over. It shows how they did mean something....
ReplyDeleteeventually.
Good job.